Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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William Buelow Gould
Still life

ID: 81199

William Buelow Gould Still life
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William Buelow Gould Still life


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William Buelow Gould

Botanical artist and Natural history artist Australian, 1801-1853  Related Paintings of William Buelow Gould :. | River scene with aborigines | Still life, flowers in a blue jug oil on canvas painting by Van Diemonian (Tasmanian) artist and convict William Buelow Gould (1801 - 1853). | Still life, fruit oil on canvas painting by Van Diemonian (Tasmanian) artist and convict William Buelow Gould | Flowers and Fruit | Still life |
Related Artists:
Gabriel Metsu
1629-1667 Dutch Gabriel Metsu Galleries One of his earliest pictures is the "Lazarus" at the Strassburg Museum, painted under the influence of Jan Steen. In 1653 under the influence of Rembrandt he painted "Woman taken in Adultery," a large picture which is now in the Louvre. To the same period belong the "Departure of Hagar," formerly in the Thore collection, and the "Widow's Mite" at the Schwerin Gallery. But he probably observed that sacred art was ill suited to his temper, or he found the field too strongly occupied, and turned to other subjects for which he was better fitted. That at one time he was deeply impressed by the vivacity and bold technique of Frans Hals can be gathered from Lord Lonsdale's picture of "Women at a Fishmonger's Shop." What Metsu undertook and carried out from the first with surprising success was the low life of the market and tavern, contrasted, with wonderful versatility, by incidents of high life and the drawing-room. In no single instance do the artistic lessons of Rembrandt appear to have been lost upon him. The same principles of light and shade which had marked his schoolwork in the "Woman taken in Adultery" were applied to subjects of quite a different kind. A group in a drawing-room, a series of groups in the market-place, or a single figure in the gloom of a tavern or parlour, was treated with the utmost felicity by fit concentration and gradation of light, a warm flush of tone pervading every part, and, with that, the study of texture in stuffs was carried as far as it had been by Ter Borch or Gerard Dou, if not with the finish or the brio of De Hooch. One of the best pictures of Metsu's manhood is the "Market-place of Amsterdam," at the Louvre, respecting which it is difficult to distribute praise in fair proportions, so excellent are the various parts, the characteristic movement and action of the dramatis personae, the selection of faces, the expression and the gesture, and the texture of the things depicted. Equally fine, though earlier, are the "Sportsman" (dated 1661) and the "Tavern" (also 1661) at the Hague and Dresden Museums, and the "Game-Dealer's Shop," also at Dresden, with the painter's signature and 1662. Gabriel Metsu, Man Writing a Letter (1662-1665), Oil on canvas, National Gallery of Ireland, DublinAmong the five examples of the painter in the Wallace Collection, are "The Tabby Cat," and "The Sleeping Sportsman," which cost Lord Hertford £ 3000, is an admirable example technically considered. Among his finest representations of home life are the "Repast" at the Hermitage in St Petersburg; the "Mother nursing her Sick Child" in the Rijksmuseum in Amsterdam; the "Amateur Musicians" at the Hague Gallery; the "Duet" and the "Music Lesson" at the National Gallery, London, and many more examples at nearly all the leading European galleries. Five of his painting are in Dresden, collected by August the Strong.
James Ward
English Romantic Painter, 1769-1859 English painter and engraver. He was the most important animal painter of his generation. Many of his dynamic compositions depict horses, dogs or wild animals in agitated emotional states, the sense of movement being reinforced by vigorous brushwork and strong colours. With their sweeping landscapes and dramatic skies, his canvases epitomize Romanticism. Not content to excel merely as an animal painter, Ward also produced portraits, landscapes and genre and history paintings of varying quality.
Mehoffer, Jozef
Polish, 1869-1946 was a Polish painter and decorative artist, one of the leading artists of the Young Poland movement and one of the most revered Polish artists of his time. Mehoffer studied painting at the Academy of Fine Arts in Krakew under Władysław Łuszczkiewicz, and later at the Academy of Fine Arts in Vienna as well as in Paris at the Academie Colarossi among others. There Mehoffer began painting portraits often of people of historical significance. He later expanded his work to include different techniques, such as graphic art, stained glass, textiles, chalk drawings, etchings and book illustrations. He produced set designs for theatre and stylized furniture designs. Mehoffer received international acclaim for his stained glass windows in the Gothic St Nicholas Collegiate Church in Fribourg, Switzerland produced in 1895-1936. His other stained glass designs include the Radziwill Chapel in Balice (1892), Grauer Chapel in Opava (1901), church in Jutrosini (1902), Holy Cross Chapel at Wawel (1904), sepulchral chapel in Goluchoew (1906), Orgelmeister Chapel in Vienna (1910), cathedral in Wloclawek (1935-40), cathedral in Przemysl (1940) and church in Debniki near Krakow (1943).There are stained glass designed by Mehoffer in Jesus Holliest Heart in Turek (East Greater Poland - central Poland) in the same church there are also mural paintings made by Mehoffer. Mehoffer explored various media further throughout his career to include a range of applied arts in his projects. He manufactured a multiplicity of book covers, ornaments and posters.






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